Temune
Four websites, four directions

A design studio site, and the only one of the four that sells time rather than a product. It opens on a claim about attention, “You get ten seconds. We spend months on them,” then spends the rest of the page earning more than ten seconds of yours. Services are grouped in three movements: branding, product and web, then art and argument. Engagement comes in three shapes, a fixed-scope project, a two-week sprint or a monthly partnership, with the rates printed on the page rather than saved for a call. The palette inverts from day to night as you scroll, so the studio changes register without the reader being asked to operate anything.

A premium website template for design studios and creative agencies, sold at $79: fifteen plus pages, editable collections, a style guide and a component library, ready to launch. The art direction goes deliberately maximal, with gilt frames, a wax seal, ornamental borders and oil-painted portraits, because the buyer is a studio shopping for a personality rather than another Swiss grid. The selected-work section ships already populated with finished case studies, so a buyer sees the shape of a filled template instead of placeholder text.

A wealth infrastructure platform covering execution, custody and intelligence in one place, and the hardest direction of the four, because finance is the category where decoration reads as risk. Everything runs on near-black with a single indigo held all the way down, and every visual is a schematic rather than a photograph: a risk radar, a connectivity graph of custodians and OMS providers, a reconciliation ledger. The offer is segmented by balance sheet instead of by feature, so family offices, hedge funds and private banks each get their own panel. In this category the reader looks for themselves before they look for capability.

A storefront selling finished landing pages as code, full source, yours to keep, at $69 personal or $179 commercial. The page opens by scrolling through six real templates in a pinned sequence before it mentions a price, on the theory that if the work does not survive that, no pricing table will save it. The positioning is aimed at the actual competitor, which is not another marketplace but the half-finished boilerplate a buyer would otherwise assemble themselves. Hence “templates, not starter kits”, and a catalogue kept deliberately short.